Camera slider in the movie is how to use more smoothly

The camera's position is a key decision in the narrative, not just "a place that looks good," but also determines what viewers will see and where they look from.Sevenoak Heavy-Duty Camera Slider SK-HD120 series camera sliders are designed to give you the ability to create high-quality videos without over-extending your budget. It futures with heavy-duty Aluminum construction, adjustable feet, 1/4” and 3/8” screw thread, precision bearings etc.

  The camera's position is a key decision in the narrative, not just "a place that looks good," but also determines what viewers will see and where they look from.

  Since Griffith liberated the camera from a single fixed location, the movement of the camera has taken a larger share of the film's visual arts.

  Camera moving (camera slider):

  1. Camera Dolly (camera movement method started to be used in the early 20th century)

  2. camera rocker arm (appeared in the 1920s)

  3. Camera Handheld Stabilizer (first used in Glorious Route 1957 and Kubrick's Shining Star, commonly used in the 1970s)

  In the filming of narrative films, the principle of camera movement is that movement must be purpose-oriented. Cameras move not just to move, but also to narrative techniques.

  Heavy-Duty Camera Slider SK-HD120

  Sevenoak Heavy-Duty Camera Slider SK-HD120 series camera sliders are designed to give you the ability to create high-quality videos without over-extending your budget. It futures with heavy-duty Aluminum construction, adjustable feet, 1/4” and 3/8” screw thread, precision bearings etc.
       Sevenoak camera slider

  Size: 120*14*12 cm
  Product weight: 4.3 KG
  Max load capacity: 10KG

  There are two motives for camera movement:

  1. The performance itself requires the camera to move. For example, if a character gets up from a chair and goes to a window, it is quite reasonable for the camera to move with her. Although this movement is not necessary, but certainly one way to show the plot.

  2. Whether the car began to move, stop or Pingyao lens, should be purposeful, the motivation for moving may be just to switch the movie to a new screen to go. The new picture should include new information, and its method of making sense, not "the camera moved to this place."

  One of the important parts of this is that the camera should "settle" for a while at the end of any move, it must "show" the new picture and pause at the clip for at least a beat. If you want to attach a still shot behind this shot, pause is very important.

  Especially when the start and end of the camera movement are driven by the subject, the time points of the movement of the subject and the subject must be matched and the speed must be precisely controlled during the movement. If the car at full speed "start", and then suddenly brake, certainly not what you want to see the picture shot. In most cases, photographers hope the car goes "feathery" light.

      More information about sevenoak camera rig,camera dolly

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