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Sevenoak Adaptable Camera Dolly System for Timelapse Video

Sevenoak Scaled Camera Dolly SK-DW03 is a sturdy and smooth camera table dolly specially designed for your home videos. It features adjustable aluminum rods, scale marks, rubber wheels, 1/4” screw thread and 3/8” screw hole etc. It allows you to mount your camera directly onto this dolly, or use an articulate arm or ball head for shooting at any angle you want. The adjustable aluminum rods and scale marks allow you to track in a straight line or track around an object, and its rubber wheels enable you to shoot quietly and smoothly.

  A wide range of mobile delay shooting is relatively more difficult, but also the last two years we are more sought after a way of shooting. Before shooting a wide range of moving delay, the first thing to do is to think of the final desired lens effect, parallel motion, motion around an object, or motion at will. This must be clear before shooting since only This, we can design the path of movement of machines and people.

  First of all, we need to find a fixed reference point of view on this object. For example, in the above buildings, I use the position of the red box as a reference point. Then adjust the camera to focus on the central point of the way, each image shot, the focus on the red box position; and then planning a general plane moving path and each moving average distance, each interval how long. OK OK, you can follow these settings to gradually capture.

sevenoak camera dolly

  Scaled Camera Dolly SK-DW03
  Sevenoak Scaled Camera Dolly SK-DW03 is a sturdy and smooth camera table dolly specially designed for your home videos. It features adjustable aluminum rods, scale marks, rubber wheels, 1/4” screw thread and 3/8” screw hole etc. It allows you to mount your camera directly onto this dolly, or use an articulate arm or ball head for shooting at any angle you want. The adjustable aluminum rods and scale marks allow you to track in a straight line or track around an object, and its rubber wheels enable you to shoot quietly and smoothly.
  Approx size: 15*20 (W*L)cm
  Weight: 0.64 KG
  Notice: The color of this item has been changed since 2016.

  In the filming of narrative films, the principle of camera movement is that movement must be purpose-oriented. Cameras move not just to move, but also to narrative techniques. There are two motives for camera movement:

  1. The performance itself requires the camera to move. For example, if a character gets up from a chair and goes to a window, it is quite reasonable for the camera to move with her. Although this movement is not necessary, but certainly one way to show the plot.

  2. Whether the car began to move, stop or Pingyao lens, should be purposeful, the motivation for moving may be just to switch the movie to a new screen to go. The new picture should include new information, and its method of making sense, not "the camera moved to this place." One of the important parts of this is that the camera should "settle" for a while at the end of any move, it must "show" the new picture and pause at the clip for at least a beat. If you want to attach a still shot behind this shot, pause is very important. Especially when the start and end of the camera movement are driven by the subject, the time points of the movement of the subject and the subject must be matched and the speed must be precisely controlled during the movement. If the car at full speed "start", and then suddenly brake, certainly not what you want to see the picture shot. In most cases, photographers hope the car goes "feathery" light.

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